fernandos debut for leng was the universally well received mid-tempo monster *blue impala*. now he is back with yet another hypnotic bass heavy workout. *giant desert* takes the same low slung approach with some heavy guitar work from fiorucci. this is really is chugging music at its best, with flashes of vocal, analog synths and a dirty rock guitar combining to keep that head nodding. the extended dub allows fiorucci more space to hit the groove and the guitar work becomes epic.

re-issue of a dub classic from 1980 by cry tuff label head prince far i.

a twenty year break away from making music is almost unheard of especially within electronic music circles, but that is where antenna happy finds himself with pinto. clocking in at 9.09 pinto draws from psychedelia and techno set straight for the sun. this kaleidoscopic sonic excursion has all the makings of a cult classic, and heads up the debut 12- release on newly founded imprint reinhardt records. taking lead on the b-side an entirely different affair in the shape of fallen. this is benchmark electronic music, as arpeggiators take flight mirrored against hypnotic acid bass, for a journey into the outer house territories. closing the ep, spark holds the reigns. conceived within the same stretch as pinto, however it wasn t until some months later that spark took on its full form. emotive modular synths lay the groundwork, connecting the dots between low-slung techno and house music, culminating in a track that sits in neither genre camp. spark will appear on the digital release only. the ep title track takes its name and inspiration from paintings by antenna happy s three-year-old daughter, whose birth inspired him to return to making music. close-ups of these paintings can be seen in the artwork for the release.

(vinny villbass & oskar offermann rmxs) deep electronic strings lead the almost melancholic yet balearic melody with luscious pads filling the low end and the infectious vocals from hewrote flowing throughout for an overall emotive feel.

steve frisco, of serie limitee fame, brings us the latest bundle of hot tracks to hit wax classic in 2014. as the title suggests, steve takes us on a journey through low fidelity sounds and production techniques. think dark, moody, yet crunchy basement house tracks with inspiration taken from all over the u.s and the rest of the house world. it’s a generous offering as well. six whole dusty tunes for those diggers who are looking for something with a bit more range than another record of generic piano laden, house-by-numbers pieces that still seem to be flooding the record store shelves in 2014. the moods do vary from track to track, but they remain very reflective and almost melancholic at points. the title track, ‘adventure in lo-fi’, is the deepest of the lot with filtered chords, echoing claps and a sporadic kick pattern that often clears way for the track’s bass hits. now, compare that to ‘da brooklyn beat’. whilst the former had a distinct sunrise/sunset kind of feel to it, the latter is definitely more of a club affair. skippy snare hits and a strong organ lead the track on, and at the risk of utilizing very overused buzzwords such as ‘raw’ and ‘ruff’, this track, and the rest of the a-side for that matter, certainly captures that essence. stalwart wax classic fans will no doubt be picking this one up to add to their collection. however, i strongly recommend this ep as a jumping in point to the label for any newcomers out there

second sampler of the forthcoming hot creations compilation album hot summer jams. this sampler features another smorgasbord of killer cuts, from the inimitable patrick topping who, hot on the heels of this years huge forget smash, delivers the dirty fidget fest that is too much. also on this side is hot creations latest star jey kurmis with the irrepressible caz she can, another killer! on the flip tom flynn gets low-slung ghetto with the hooky as hell take me down. rounding of the package is hot creations homeboy russ yallop with a slice of jacked out hypnotic moon groove, traffic, ka boom! another superb sampler from this great compilation

limited 99 cent deal - last copies left !! be fast !!
we are proud to present the next thrilling release by co-owner pherox on slash! tims second ep named dmf-9-electric is a mixture of deep soulful and floor shaking electronic music. we call it the gentle side of techno, no wonder that one of the hottest artists in this scene john daly delivers a cracking remix to this 4-track ep. lets start with the first track road days which is dominated by deep rolling basses and floating voices creating a hi-tech energy peak time track. once you get the sudden effect of it, its gonna reveal the true freak in you, give it a try! the other title on the a-side called rude vox is a dark dream of liberty and a long voyage into the night. its clothed in moonlight and restless in wanting where the voices of children paired with strings, a ghost precedes us, a shadow follows us - each time we stop – we fall. the b-side starts with john daly s rework on the track shelter. the remix is a dark miracle of shiny blackness which has his own magic, while the sun sinks low, an h-bomb in reverse. john takes the key parts from the original track and raises them into a new context. techno-soul in its purest form. we, for one, are in ecstasy enthralled. can we convince you to smile? the whole ep ends up with the original one from pherox. the circular beat of shelter with its loaded flashy effects will heat up any dance floor for sure. boys and girls, its getting hot in here so take off all your.. or just keep doing whatever you want!

to accompany the release of especial s compilation mix cd, -eleccio- - offering of a snapshot of the first 9 eps on the label - a limited edition sampler ep is being released featuring 4 unreleased remixes from the label s roster to date. ever since the first white labels appeared at the end of summer 2013, emotional especial has had a busy release schedule, putting out music that are a slightly warped take on club music. mixing the influences of dub, electro, disco, proto-house, house and techno, a feeling, a sound, a vibe has appeared without any preordained plan. with the release of ees10cd - a dj meets studio compilation mix created by label mainstay and handyman, jamie paton - to mark the end of first series of the label, it was decided to included a couple of specal unreleased remixes to add a bit of new with the old in the mix. to that end this limited edition vinyl sampler was created to include the two remixes, plus the inclusion of another two gems that simply needed to see the light of day. first is the alternative -member- remix of inhalt by black merlin - a strings meets leather bar club-dub-out that takes things deeper and darker than before. this is followed by jamie delivering his own take of khidja s massive mustafa, with a warped, swamped out dub. next is another mix from cage & aviary of their pals, blancemange. brooding low-slung rerub dub anyone? finally there is a very special remix by khidja of the ganges orchestra. reissued on emotional rescue in 2013, this special remix takes the vocal mantra of the original and creates a balearic-raga tale that perfectly rounds off especial to date.

following the success of the digital release of sleazy mcqueens *you know how ep*, upstart label, cvmr were compelled to press the remixes to vinyl. the proceedings open in superb style thanks to the revenges live dub. a bass heavy tool with equal parts classic house and disco, with a touch of arthur baker-style drums. on a2, sleazy mcqueens space coast take things to the basement with the help of romano arcaini (latenight society), warm rhodes, live bass and an absolute drum-break-freakout add a decidedly different dub flavor to the package. b/w compost blacks main man kasper bjorke offers his acid tinged interpretation, driven by a gritty saw-wave bass hook, rolling snare hits, wanderings arps and crunchy drums, a simply stunning piece of music as expected from the undeniably talented copenhagen born producer. closing out the remix ep, cvmr in-house producer, century strips back the vibe to a dropped tempo, emotive workout fuelled be heavily reverberated piano chords, echoing vocal lines and a general chuggy, low-slung vibe throughout.

with this new four-track ep by rai scott the slowly emerging producer moves away from being the enigma that appeared on a split 12- with brad peterson that launched the inner shift imprint in 2012. and by the sounds on this ep, she s someone to be noticed. preceding her forthcoming debut on ornate, scott provides another four-track called reason to smile for inner shift music. it s the fifth release for the label this year and -we love you- certainly earns its place as the record s a1, sweet and meaningful deep house. -keep on- is a dubbed out, bassline driven tribal journey of drums and low-end rhythm completed by emotional chords that eventually takeover, while -cats and water- is on a funky, stripped-back and loopy 90s techno tip. and for some ambient fun that then turns house: -sky in the clouds- is a perfect b2. an exciting producer house communities worldwide should be talking about in the second half of this year.

reflected 001 oblivion comes from mjutah, click|click and mario aureo. after debuting in france, the duo behind florian rietze gained a very good name for deep house productions. side a includes more dancefloor orientated tracks than side b, which is the more festival orientated one, hence the name. click|click, the label head of kassette records and palms & flamingos, who also released on labels like get physical, cajual records and katermukke, did a rough 2014 house remix of get high. mario aureo remixed get low and contributes another very exciting aspect on reflected 001. he is the label manager of ritter butzke studio and also released on labels like einmaleins musik, off recordings and boug

fifty fathoms deep follow up swiftly here from frederick s critically acclaimed debut album disruptive pattern material which gained major support from jimpster, osunlade, rainer trüby, the revenge & ajtazz amongst others. whilst craig smith & peter oakden celebrate their labels heavily supported first year, they bring you here release number five. an exquisite four track ep from the briskly emerging nyak. without question nyak keeps this ever delivering imprints momentum going with four superb cuts of low slung, underground jams. full of soul, rawness and summer fun

non stop house tools! directly recorded from his liveset, marco d aquino aka duwka, a half of life s track with his fellow friend herva, provides the first series of 6 effective tools for every dancefloor and for djs who like to spin! in the mood of some early soundstream or even dancemania trax, they are rich in funky elements, disco samples, powerful grooves! find your tool, or just let the whole side rock till the end!

der dj/produzent kutmah entstammt der experimentellen electronic/hip hop-szene von los angeles um die labels brainfeeder, low end theory und stones throw. mit *our mannequin* veröffentlicht er seine erste ep auf technicolour. check it out!

speeeed!

nathan fake and wesley matsell are both producers best known for their releases on border community - nathan fake has been putting out psychedelic permutations on dance music since 2003 for the label, while matsell recently released the blissful total order of being ep for them earlier in 2014. cambria instruments is a new label venture from the pair, and for the first release they have teamed up for a split 12- of kaleidoscopic electronic sounds. nathan fake s contribution black drift starts things off, an initially inauspicious tripping beat gathering momentum and morphing into a far-out piece of fuzzy house underpinned by sunken low-end rumbles. it s the kind of brilliantly wide-eyed track we have come to expect from the producer. over on the flip, wesley matsell s bismuth is a more shadowy, moody affair, a tight techno rhythm holding things together while synths spin wildly. a highly expressive, lysergic trip and one of his finest productions to date. all in all, you couldn t hope for a stronger start from a new label.

the new generation of punchi punchi is made of certified organic cotton with a high-low woven pattern on one side. the light and smooth terry towelling scarf was designed for heated situations. once unpacked it will immediately embrace its new owner. no sweat.
• personal drying assistant • towelling scarf • multi-function • 100% gots certified organic cotton • ± 175 x 22cm • high-low weaving : triangle • machine wash up to 60°c • born in berlin – made in turkey

the new generation of punchi punchi is made of certified organic cotton with a high-low woven pattern on one side. the light and smooth terry towelling scarf was designed for heated situations. once unpacked it will immediately embrace its new owner. no sweat.
• personal drying assistant • towelling scarf • multi-function • 100% gots certified organic cotton • ± 175 x 22cm • high-low weaving : triangle • machine wash up to 60°c • born in berlin – made in turkey

the new generation of punchi punchi is made of certified organic cotton with a high-low woven pattern on one side. the light and smooth terry towelling scarf was designed for heated situations. once unpacked it will immediately embrace its new owner. no sweat.
• personal drying assistant • towelling scarf • multi-function • 100% gots certified organic cotton • ± 175 x 22cm • high-low weaving : triangle • machine wash up to 60°c • born in berlin – made in turkey

the new generation of punchi punchi is made of certified organic cotton with a high-low woven pattern on one side. the light and smooth terry towelling scarf was designed for heated situations. once unpacked it will immediately embrace its new owner. no sweat.
• personal drying assistant • towelling scarf • multi-function • 100% gots certified organic cotton • ± 175 x 22cm • high-low weaving : triangle • machine wash up to 60°c • born in berlin – made in turkey

das londoner quartett, bestehend aus thomas sanders (vocals, guitar), hiro amamiya (drums), jonny sanders (synths) und pete cattermoul (bass), veröffentlicht mit -breakfast- sein debütalbum via moshi moshi / pias cooperative. auf -breakfast- treffen minimalistische synthie-töne auf sanfte beats und verspielte melodien. in verbindung mit den märchenhaften und träumerischen texten von sänger thomas entsteht so der perfekte teleman-sound, der die band bei den fans so beliebt macht.

phat analog styled 90s techno bomb

cromie s bubbling, spacious house sound first drew critical acclaim last year on the sold out 12- vines / pyrex (peach001), a collaboration with fellow la producer sage caswell. now, peach is thrilled to present cromies solo debut ep inner knows, a revved up set of idiosyncratic dancefloor weapons. how to stop a bulldozer, a rotating helix of synth stabs, warped vocals and low-end torque warrants it s epic title. elsewhere, flan functions like a potent concentrate of 22nd century funk. inner knows kicks off side b with a swirling late night house jam that flirts with the deeper corners of the genre. another fixture in la s electronic scene, suzanne kraft (running back, esp institute, pharoahs) closes out the record with a cubist reading of flan. on his solo debut, cromie s creative depth and attention to detail belies his freshness to the game. regular sets at las club called rhonda and various underground happenings in the sprawling southland have taught him some valuable lessons. if he can deliver this many distinct sounds on a single record, we cant wait to hear what’s next.

well, well, well! our teutonic chums come through once again with the secret selections you vinyl-junkies love to love! house master boyz get ripped up, but this aint chicago and it aint 1986! that classic acid house refrain gets welded onto some distinctly brand new / retro sonics, an acid laced behemoth that is equal parts new beat and strobe-lit proto house. timeless & powerful floor food, and as such, equally at home in some erol alkan piloted stadium as it is in a stinky basement. a quick flip and the jj jam swaps the faithful homage we found next door for a futuristic steppers workout. roughly hewn stabs underpinned by some rib cage rattling low end registers
300 copies - vinyl only file under: weapons!

attic music announces its new vinyl series “almost there”. a trip starting from dark-ambient and experimental techno through new, forward-looking soundscapes. first episode is signed by mace., young talented artist from padova (it), already out on further and eclipse, presenting us a new crepuscular slow-tempo masterpiece. on the b side a proper dark techno remix by fabrizio lapiana.

in times where a rave feels pretty much like a funfair, the chairoplane is still the nicest ride. thinking of kettenkarussell some might remember one of those gathered moments in a low summer night under the clear sky when things made sense for a while. but those memories fade away quite fast or seem really strange a few years later on youtube. so what is it that is left behind? after 10 years of collaboration the couple decided to do an album that might challenge the comfort zone of those who try to keep up that easy living. its a record full of holes. and still this is what keeps them together. in pain we trust... and yes i believe you and me will make love forever...

repress 2014 - next up in the 10 inch series on mos_deep another heavy 2-tracker of d marc cantu, which will be followed by a (mini)-album later this year. the opening track is a fierce chicago-styled banger kicking off with an extremely solid and frantic bassline while d marcs low-pitched voice asks us >how are we doing?<. the track slowly evolves into a deep and atmospheric masterpiece with spatial strings slowly expanding throughout the track.
>how are we doing?< is counter-balanced by the fragility and subtlety on the flipside. >a second earth< is a laid-back and emotional retro-futuristic techno track overflowing with sadness and melancholy, echoing the sounds of the artificial-intelligence era. like a lost vessel drifting through space this track captivates and terrifies at the same time. a beauty and a beast!

bristol acetate carver and drum major, lurka launches his black acre debut with three unpredictable drum machine battle drills. kicking off with *holding* a technoid inflected dancehall pounder with a relentless low-end theory. the anxious heartbeat littered with schizophrenic percussion and alarm bells bursting into an undead army marching anthem. with *nah so* we are back on slightly more familiar turf, crushing kick drums perform the body blows under intricate hi-hats programming. *kmt* the most meditative of the three with nods to alan howarths bleak synthesiser work while high-fiveing schooly ds drum machine.

after the release of radials hugely supported album crux, it is now time to continue the journey of his new imprint radial records.

following up releases on tsuba and djebalis label, mr ks delivers *da season ep*, a balmy concoction of palpable atmospheres and infectious low-end grooves backed up by an acapella and a thoroughly contorted revision from the mole and hreno. make no mistake, this is straight-up dancefloor sleaze that makes you wanna take your shirt off. viva la clown! just jack will eat your head!

once again, the sunkissed camp get it spot on with this loud-pressed 12 inch collection of balearic classics from brazilian songstress astrud gilberto. opens with the original version of mesmerising dancer *black magic*, a great dj weapon that got the tangoterje edit seal of approval a few years back. followed by balearic favourite *beginnings*, a jazzy take on chicago s classic hit which spins out into eight minutes of sensual bliss. turn over for big daniel wang play, the obscure lp track *all i ve got*, a glorious low-slung floor-filling gem produced by none other than salsoul orchestra founder vince montana who also supplies the sublime disco version of the song that made astrud a household name *the girl from ipanema*. lastly comes her cool and breezy version of the bossanova jazz standard *agua de beber*. beautiful stuff.

vinyl only, 180 grm , 12 inch in plastic sleeve. dj support: slackk, murlo, dj q, oil gang, inkke, mixpak...
* keep calling*, this eps title track, is one of the key anthems at leading grime clubnight boxed (finn contributed to their boxed vol. 1 compilation), and comes backed with the high octane * dangerous* and the gorgeous * only boy*. like blackjack, low deep and iron soul before him, finn is combining r n b and grime without ever resorting to cliché, and the results are killer.

sacred geometry, complex polyrhythms and clean sound design all collide in the work of manchester outfit, akkord. with their critically acclaimed, self-titled debut album charting high in 2014s end of year lists, akkord are not resting on their success, and are already planning their next assault with this new body of work. hth020 consists of four tracks of much darker, moodier sounds, pairing monumental low-end frequencies with surgically precise production. the whole ep is centred around clammy, ominous atmospheres, underpinned by stomping beats and descending basslines, placing greater emphasis on the space in-between, and textured over with a doomsday ambience. the music that akkord create never strays out of their own minimalistic and direct approach to techno, but from there, and beyond, they touch on an ever-evolving variety of styles, which gradually drive us in front of an overwhelming and riveting soundscape. hth020 comes pressed on 180g grey vinyl, cut and mastered by matt colton at alchemy, with de-bossed artwork and a postcard insert.

played by monsieur cedric (serie limitee), owain(124 recordings/124 black), swink music records, john devecchis (instinkt records), oushe
last year saw 124 recordings expand with the launch of new sub-label 124black, aimed as a dedicated vinyl only outlet for -promoting a darker, harder sound firmly rooted in the underground-. much like the debut transmission, this second 124black release is a various artists affair and features productions from federico curatolo, ave astra, jacob b and john devecchis. upcoming italian producer curatolo commences proceedings with the no-nonsense peak time burner -house music- which is matched by ave astra s subsequent contribution -all i wanna say,- a track that s fairly dominated by the low-end sub bass. jacob b maintains his 100% appearance record for 124black with the hotly tipped -murk- whilst devecchis ends matters on a deeper note with -this is-.

played by steve lee, sleazy beats recordings, moonboots, coyote is it balearic?... <br >uber is the new label from the is it balearic..? camp. its aim to release the more of the more balearic music they have inn their vaults. first up are bonnie & klein. the duo behind bonnie & klein is greek pair george fountzoulas and thanasis skouzis who were were born and raised in nafpaktos, a beautiful hometown in greece. -beautiful city- is a low slung percussive groove with a slightly eastern feel with mediterranean strumming and delicate melodies and an unexpected sax solo. -carina- is a lighter more cinematic groove with a soft flute pattern and muted guitar all wrapped up in warm strings. mario pierro of raiders of the lost arp (rotla) fame remixes -beautiful city- creating an after sunset chugging balearic slo mo house track oozing class and subtlety.powerful stuff

reissue of slugos 1st solo release, the 1995 classic on dance mania dm 096: slugmere (original), a blunt, work it (original), djs on the low (original), eris, balls. eris is vinyl only

returning with the love is a luxury 12-inch, a two-track ep co-released by matt weiners own cgi and geographic north, twins ventures deep into the collected unconscious of our singular broken heart. elegantly expansive and densely fluid, each track a fragmented careen of erotic house music. with more than an eye on the dancefloor and an ear for hypnotic luster, a-side *love runs deep* hosts dubby house perfectly suited for basic channels low-end minimalism. b-side *the empty deep* conveys the desolate counterpoint, enchanting in its sullen hysteria. weiners dubby explorations of an exposed vulnerability manifest in the vinyl itself, containing and exposing both tracks with complete transparency, baring themselves on clear crimson wax.

dcs maxmillion dunbar drops in on hot haus recs with a low slung 90s house jam backed with a remix from brookylns willie burns. not content with dropping one of 2013s most nacclaimed albums: house of woo, max d started 2014 with releases on trilogy tapes, a split with 4 heros dego on berceuse heroique, an ep on l.i.e.s and now brings the heat to hot haus recs in effekt. willie burns, a regular creme organisation, ttt & l.i.e.s affilate.. no stranger to the world of uttu drops a sleazy sci fi rework, a 7am drizzly affair that is either going to work or heading home ... we cant decide.

low-key producer youandewan presents his first release of 2014 - a self-titled suite of deep, jacking dance tracks on aus music.

this is the first release of the low awaited sampling as an art label. owned by parisian house artist s3a, the four tracks of this ep are merging the 4 aims of the concrete parties resident: dynamism, musicality, groove and aliveness. after several years of active productions on labels as phonogramme, hold youth, 4lux, concrete music, local talk and faces records, s3a decided to make is own structure to promote his vision of music and produce the artists he loves. lets welcome this truly ethical label!! >looping strings< and >seekin sunshine< are two feet stomping anthems, with massive sampled themes. >the first year< and > the 4th <are more musical and emotional beautiful productions. this ep is very personal and is released to last decades!

mit wunderbaren songs wie -no problem- oder -i think i like u2- begeisterte jamaica, ein duo bestehend aus den franzosen antoine hilaire und florent lyonnet, bereits 2010 die fans weltweit. nun schickt sich jamaica an daran anzuknüpfen. -ventura- heißt das neue album, das abermals von peter franco produziert wurde, der zuletzt noch bei daft punk an den reglern saß und dem album den letzten musikalischen schliff gab. -ventura- ist dabei die logische fortführung seines vorgängers. geradlinige poprock-songs, die zeigen, dass die leichtigkeit des seins auch in der musik zu finden ist. die vinyl lp erscheint inklusive cd-versdion des albums.

this release sees ante perry team up with a host of names in his very own studio in dortmund. first up belgian artist maxim lany is the first to accompany him in a deeply warm number named honigmitmais , a track possessing a sullen resonating sub-bass and romantic piano stabs with male vocal coos scattered throughout. xtc1 with german artist dirty doering then shifts the mood, dominated by a low-end unmistakably perry with the addition of pitched down vocals and eerie atmospherics make for a trippier track altogether.

in 2012 society of silence released their first ep on their own imprint and, by being supported by such artists as shake shakir, efdemin, signifying monkey ep has been a great sucess, nick hoeppner has played their track b workin on his fabric podcast.2013 began with matin noir on fragil musique. once again they are exploring the expanse of techno music and the single is backed by a stunning remix from ukrainian producer vakula. and in june 2013, it s on dj gilb r label versatile that society of silence fourth ep unijambist has been released, followed by to the maggot ep in january 2014.now it s time for the parisian duo to reveal sos02, their new maxi, back on their own imprint. chroma is a jacking techno track with deep dub synth s chords. the release also comes with a tunnel track, for dark clubs and tascam dub, which is a low-fi tape stretched track. the ep is already supported by nick hoppner and anton zap

ever-reliable talent scouts, sinnmusik bring together two more auspicious names - barcelona based adrian and collaborative duo, vague recollection for back n front vol. 1, a raucous concoction of rattling percussion and hefty low-end grooves.

the us producer recently joined the ranks of talent residing in berlin and its evident the european techno capital is having a subtle sway on his sound on the basis of this apotheke ep, most notably the title track. theres a sense of driving momentum wedged deep in the sonic dna of this track, complemented well by a low slung bassline and airy synth melodies. elsewhere huertas sometime studio sparring partner urulu adds some percussive flex to the pulsating swing set, whilst kingsleys groove swerves the sound back towards deeper house and is apparently named in honour of a friends cat. glenn astro of the tartelet crew ends the release with a wonderfully bumping take on the track.

melbourne label butter sessions press 4 outstanding cuts that travel from chicago inspired house jams to low slung techno. bsr founders sleep d are joined by 3 fellow australians - tuff sherm aka dro carey, booshank and dan white - on this multiple artist ep. the package is completed with an a1 poster print designed by zac segbedzi of zanzibar chanel. do not miss!

time to welcome more new, undiscovered talent to the fold, this time we give you sheffield producer thatmanmonkz with an amazing ep entitled please dont slip, trip or fall off. thatmanmonkz came to our attention last year when his track that would be alright appeared on tone control music. the low slung, bluesy inflections combined with moodymann-esqe vocals and deep pads had us instantly hooked so when he presented us with three brand new tracks for delusions of grandeur we literally bit his hand off.

around7 follows up his two laidback funk/jazz albums for robsoul jazz with his first ever venture into house music. his double crossing ep released through the main robsoul recordings imprint on 4th april 2014. the parisian, who previously delivered the back to basics and soul on wire lps to critical acclaim, continues his production style of sampling complemented by live, organic sounds. producer influences such as j dilla and dj premier continue to be in evidence, alongside the jazz of miles davis, bill evans and the legendary blue note records, all given a 4/4 twist.the result is four stripped back tracks with a low slung, smoky atmosphere, packed pull of acoustic sounds and live instrumentation. those who remember joss moogs early outings on robsoul will also find parallels here around7s music career began as a bassist and trumpet player in a jazz/funk band. after learning to play keyboard and discovering the akai mpc sampler and software such as cubase, he merged all of his skills together to create his own tracks based around live instrumentation and samples.

our friends in nyc follow up last years outrageously good my rules with the eagerly awaited second volume ! yah yah on the a is a totally addictive and louche epic, swathed in psychedelic disco layers, punctuated by vocal snippets and chants, underpinned by a broad bottom end and finished with some swirling synth lines on the flip woman offers us an equally dancefloor friendly workout, a crisp rhythm section powers along with an unrelenting funk low end and an ode to the fairer sex in the vocal dept, all liberally doused in acid punch, of course utterly essential ! as with c.o.m.b.i, keep it cheap and ny edits, you know these won t be around long and are destined to become cult classics